{"id":11637,"date":"2025-09-27T16:44:48","date_gmt":"2025-09-27T08:44:48","guid":{"rendered":"https:\/\/ginhuanggallery.com\/?p=11637"},"modified":"2025-10-18T22:15:10","modified_gmt":"2025-10-18T14:15:10","slug":"wolfgang-betke","status":"publish","type":"post","link":"https:\/\/ginhuanggallery.com\/zh-hant\/wolfgang-betke","title":{"rendered":"\u6c83\u723e\u592b\u5ca1\u30fb\u8c9d\u7279\u514b"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p style=\"font-size:24px\"><strong>\u6c83\u723e\u592b\u5ca1\u30fb\u8c9d\u7279\u514b<\/strong><\/p>\n\n\n\n<p style=\"font-size:24px\"><strong> <\/strong>b. 1958 \u5fb7\u570b<br><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Wolfgang Betke\uff081958 \u5e74\u751f\u65bc\u5fb7\u570b\u675c\u585e\u723e\u591a\u592b\uff09\uff0c\u662f\u7576\u4ee3\u5fb7\u570b\u6975\u5177\u4ee3\u8868\u6027\u7684\u85dd\u8853\u5bb6\u4e4b\u4e00\u3002\u4ed6\u7684\u5275\u4f5c\u6db5\u84cb\u7e6a\u756b\u3001\u96d5\u5851\u8207\u88dd\u7f6e\uff0c\u4ee5\u7368\u7279\u7684\u591a\u5c64\u6b21\u6750\u6599\u8a9e\u5f59\u5efa\u69cb\u51fa\u5145\u6eff\u80fd\u91cf\u8207\u601d\u8fa8\u7684\u8996\u89ba\u8a9e\u5883\u3002Betke \u65e9\u5e74\u53d7\u76ca\u65bc\u5fb7\u570b\u8868\u73fe\u4e3b\u7fa9\u8207\u6b50\u6d32\u85dd\u8853\u53f2\u7684\u6df1\u539a\u990a\u5206\uff0c\u4e26\u5c07\u4e4b\u8f49\u5316\u70ba\u7368\u7acb\u7684\u85dd\u8853\u5be6\u8e10\u3002\u4ed6\u7684\u4f5c\u54c1\u5f80\u5f80\u8d85\u8d8a\u55ae\u7d14\u7684\u5716\u50cf\u518d\u73fe\uff0c\u800c\u662f\u4ee5\u984f\u6599\u3001\u8272\u5f69\u3001\u7b26\u865f\u8207\u8eab\u9ad4\u6027\u7684\u7b46\u89f8\uff0c\u5c55\u73fe\u4e00\u7a2e\u7cbe\u795e\u6027\u8207\u54f2\u601d\u4e26\u5b58\u7684\u85dd\u8853\u8a9e\u8a00\u3002<br>Betke \u7684\u7e6a\u756b\u4e0d\u50c5\u662f\u8996\u89ba\u6027\u7684\u5c0d\u8c61\uff0c\u66f4\u662f\u6642\u9593\u8207\u751f\u547d\u80fd\u91cf\u7684\u6c89\u7a4d\u3002\u4ed6\u63a1\u7528\u6cb9\u5f69\u3001\u58d3\u514b\u529b\u3001\u58a8\u6c34\u3001\u5674\u6f06\u3001\u6728\u70ad\u7b49\u591a\u91cd\u5a92\u6750\uff0c\u53cd\u8986\u5806\u758a\u8207\u64e6\u62ed\uff0c\u5f62\u6210\u5c64\u5c64\u4ea4\u7e54\u7684\u808c\u7406\u3002\u9019\u4e9b\u5c64\u6b21\u65e2\u8c61\u5fb5\u8457\u751f\u547d\u6b77\u7a0b\u7684\u7247\u6bb5\uff0c\u4e5f\u5f70\u986f\u85dd\u8853\u5bb6\u5c07\u8eab\u9ad4\u7d93\u9a57\u8f49\u5316\u70ba\u5716\u50cf\u7684\u904e\u7a0b\u3002\u4ed6\u81ea\u7a31\u6b64\u4e00\u65b9\u6cd5\u70ba\u300c\u8eab\u9ad4\u81ea\u52d5\u6027\u300d\uff08Body Automatism\uff09\uff0c\u5ef6\u7e8c\u81ea\u8d85\u73fe\u5be6\u4e3b\u7fa9\u8207\u81ea\u52d5\u66f8\u5beb\u7684\u7cbe\u795e\uff0c\u537b\u5728\u7576\u4ee3\u8108\u7d61\u4e2d\u767c\u5c55\u51fa\u5c6c\u65bc\u4ed6\u81ea\u8eab\u7684\u85dd\u8853\u59ff\u614b\u3002<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>\u5728 Betke \u7684\u5275\u4f5c\u4e2d\uff0c\u7e6a\u756b\u8207\u96d5\u5851\u7686\u4e0d\u518d\u662f\u8207\u85dd\u8853\u5bb6\u5c0d\u7acb\u7684\u7269\u4ef6\uff0c\u800c\u66f4\u50cf\u662f\u5171\u751f\u7684\u5925\u4f34\u3002\u4ed6\u5f37\u8abf\u7e6a\u756b\u662f\u4e00\u7a2e\u751f\u547d\u7684\u5ef6\u4f38\uff0c\u4e26\u975e\u55ae\u5411\u5ea6\u7684\u63a7\u5236\uff0c\u800c\u662f\u5728\u8207\u6750\u6599\u4e92\u52d5\u6642\u9010\u6b65\u6d6e\u73fe\u610f\u7fa9\u3002\u89c0\u8005\u5728\u9762\u5c0d Betke \u7684\u4f5c\u54c1\u6642\uff0c\u5f80\u5f80\u80fd\u81ea\u7531\u5efa\u69cb\u81ea\u5df1\u7684\u806f\u60f3\uff0c\u7121\u8ad6\u662f\u62bd\u8c61\u7684\u8272\u5f69\u7d50\u69cb\u3001\u96b1\u7d04\u7684\u7b26\u865f\u610f\u8c61\uff0c\u6291\u6216\u662f\u5177\u8c61\u7684\u7247\u6bb5\u6697\u793a\uff0c\u7686\u5c55\u73fe\u51fa\u4f5c\u54c1\u958b\u653e\u6027\u7684\u7279\u8cea\u3002\u9019\u7a2e\u6f5b\u5728\u591a\u7fa9\u6027\uff0c\u6b63\u662f Betke \u85dd\u8853\u7684\u6838\u5fc3\u3002<\/p>\n\n\n\n<p>\u6b64\u5916\uff0cBetke \u5c0d\u85dd\u8853\u53f2\u7684\u614b\u5ea6\u540c\u6a23\u503c\u5f97\u95dc\u6ce8\u3002\u4ed6\u4e0d\u5c07\u4e0d\u540c\u6d41\u6d3e\u8207\u6280\u6cd5\u8996\u70ba\u5c0d\u7acb\uff0c\u800c\u662f\u4ee5\u4e00\u7a2e\u5305\u5bb9\u7684\u65b9\u5f0f\u5c07\u4e8c\u5341\u4e16\u7d00\u4ee5\u4f86\u76f8\u4e92\u6392\u65a5\u7684\u85dd\u8853\u8a9e\u8a00\u7d0d\u5165\u540c\u4e00\u756b\u9762\u3002\u9019\u7a2e\u300c\u7570\u8cea\u5143\u7d20\u7684\u5171\u5b58\u300d\uff0c\u5728\u4ed6\u7684\u7e6a\u756b\u4e2d\u5f62\u6210\u4e00\u7a2e\u8106\u5f31\u537b\u6df1\u5177\u5f35\u529b\u7684\u5e73\u8861\uff0c\u5c55\u73fe\u5c0d\u65bc\u73fe\u4ee3\u793e\u6703\u8207\u6587\u5316\u65b7\u88c2\u7684\u4e00\u7a2e\u56de\u61c9\u3002<\/p>\n\n\n\n<p>\u5728\u570b\u969b\u85dd\u8853\u821e\u53f0\u4e0a\uff0cWolfgang Betke 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class=\"wp-block-cloudcatch-light-modal-block__content\">\n<p><br>\u6211\u7684\u7e6a\u756b\u5c0d\u6211\u800c\u8a00\u5c31\u50cf\u6642\u9593\u7684\u4fdd\u96aa\u7bb1\u3002\u6bcf\u4e00\u5c64\u984f\u6599\u90fd\u4ee3\u8868\u8457\u67d0\u4e00\u6bb5\u4eba\u751f\u6642\u5149\uff0c\u4e26\u627f\u8f09\u8457\u6211\u7684\u751f\u547d\u80fd\u91cf\u3002\u6211\u4f7f\u7528\u6cb9\u5f69\u3001\u58d3\u514b\u529b\u3001\u58a8\u6c34\u3001\u6728\u70ad\u8207\u5674\u6f06\u591a\u5c64\u758a\u52a0\u5275\u4f5c\u3002\u6211\u559c\u6b61\u5617\u8a66\u4e0d\u540c\u7684\u6db2\u9ad4\uff0c\u5f15\u767c\u6750\u6599\u4e2d\u7684\u5316\u5b78\u53cd\u61c9\uff0c\u7522\u751f\u51fa\u5947\u5999\u7684\u8868\u9762\uff0c\u5e36\u4f86\u9a5a\u559c\u3002\u6211\u5728\u92c1\u677f\u3001\u756b\u5e03\u6216\u6728\u6750\u4e0a\u9032\u884c\u5275\u4f5c\u3002<\/p>\n\n\n\n<p>\u5c0d\u6211\u4f86\u8aaa\uff0c\u756b\u4f5c\u4e26\u975e\u8207\u6211\u5c0d\u7acb\u7684\u7269\u4ef6\uff0c\u800c\u662f\u670b\u53cb\u2014\u2014\u662f\u4e00\u7a2e\u4ea4\u6d41\u7684\u7db2\u7d61\uff0c\u5728\u5176\u4e2d\u4e0d\u5b58\u5728\u5c0d\u6297\uff0c\u53ea\u6709\u5171\u751f\u3002\u56e0\u6b64\uff0c\u6211\u4e26\u4e0d\u662f\u50cf\u9020\u7269\u4e3b\u822c\u5c07\u89c0\u5ff5\u5f37\u52a0\u5728\u4f5c\u54c1\u4e0a\uff0c\u800c\u662f\u8b93\u610f\u7fa9\u96a8\u8457\u904e\u7a0b\uff0c\u5728\u8207\u4f5c\u54c1\u7684\u5c0d\u8a71\u4e2d\u81ea\u7136\u6d6e\u73fe\u3002<\/p>\n\n\n\n<p>\u8eab\u9ad4\u662f\u6211\u5011\u5b58\u5728\u65bc\u4e16\u7684\u5a92\u4ecb\u3002\u5b83\u4e0d\u662f\u88ab\u5207\u5206\u70ba\u982d\u8166\u8207\u8179\u90e8\u3001\u7406\u6027\u8207\u60c5\u611f\uff0c\u800c\u662f\u4e00\u500b\u6574\u9ad4\u7684\u6709\u6a5f\u9ad4\uff0c\u5be6\u8cea\u4e0a\u652f\u6301\u8457\u6240\u6709\u4eba\u985e\u529f\u80fd\u3002\u7e6a\u756b\u7684\u8a95\u751f\u662f\u4e00\u7a2e\u8eab\u9ad4\u6027\u7684\u904e\u7a0b\uff0c\u800c\u975e\u7d14\u7cb9\u7406\u667a\u7684\u601d\u8003\u3002\u4f8b\u5982\uff0c\u7a81\u5982\u5176\u4f86\u7684\u80a9\u8180\u75bc\u75db\uff0c\u4e5f\u53ef\u80fd\u70ba\u4f5c\u54c1\u5e36\u4f86\u6c7a\u5b9a\u6027\u7684\u8f49\u6298\u3002<\/p>\n\n\n\n<p>\u6211\u7e6a\u756b\u8207\u96d5\u5851\u7684\u8eab\u9ad4\u751f\u6210\u6027\u81f3\u95dc\u91cd\u8981\u3002\u6211\u5c07\u9019\u6a23\u7684\u5de5\u4f5c\u904e\u7a0b\u7a31\u70ba\u300c\u8eab\u9ad4\u81ea\u52d5\u6027\u300d\uff0c\u5ef6\u7e8c\u81ea\u8d85\u73fe\u5be6\u4e3b\u7fa9\u8207\u81ea\u52d5\u66f8\u5beb\uff08\u00e9criture automatique\uff09\u7684\u50b3\u7d71\u3002\u6211\u5728\u7cbe\u795e\u7a7a\u767d\u7684\u72c0\u614b\u4e0b\u958b\u59cb\u6bcf\u4e00\u4ef6\u4f5c\u54c1\uff0c\u8207\u6750\u6599\u9032\u884c\u81ea\u7531\u800c\u6109\u6085\u7684\u904a\u6232\u3002\u9019\u610f\u5473\u8457\u6211\u7e3d\u662f\u5f9e\u96f6\u958b\u59cb\u3001\u6c92\u6709\u8a08\u756b\u3002\u5728\u904e\u7a0b\u4e2d\uff0c\u4e0d\u65b7\u6709\u66f4\u591a\u806f\u60f3\u8207\u610f\u5ff5\u6d6e\u73fe\uff0c\u5c07\u81ea\u52d5\u6027\u8f49\u5316\u70ba\u6709\u5c0e\u5411\u7684\u5be6\u8e10\u3002\u7cbe\u795e\u4e0a\u7684\u958b\u653e\uff0c\u6b63\u662f\u8c50\u5bcc\u610f\u6db5\u7684\u57fa\u790e\u3002\u9019\u65e2\u5305\u542b\u5c0d\u8272\u5f69\u7684\u5f37\u70c8\u9ad4\u9a57\uff0c\u4e5f\u6db5\u84cb\u7531\u8eab\u9ad4\u8207\u7e6a\u756b\u76f8\u9047\u6240\u6fc0\u767c\u7684\u8907\u96dc\u601d\u7dd2\u3002<\/p>\n\n\n\n<p>\u6211\u9f13\u52f5\u89c0\u8005\u4ee5\u81ea\u7531\u3001\u7121\u5148\u5165\u4e4b\u898b\u7684\u614b\u5ea6\u8d70\u8fd1\u4f5c\u54c1\uff0c\u958b\u653e\u5730\u9762\u5c0d\u500b\u4eba\u7684\u76f8\u9047\u3002\u5c0d\u65bc\u4e00\u4ef6\u7e6a\u756b\uff0c\u4e26\u4e0d\u5b58\u5728\u552f\u4e00\u6b63\u78ba\u7684\u7406\u89e3\u3002\u96a8\u8457\u6642\u9593\u7684\u63a8\u79fb\uff0c\u6bcf\u500b\u4eba\u90fd\u6703\u5728\u51dd\u8996\u4e2d\u7522\u751f\u81ea\u5df1\u7684\u806f\u60f3\u8207\u601d\u8003\u2014\u2014\u800c\u9019\u4e9b\u90fd\u4e0d\u6703\u662f\u932f\u8aa4\u7684\u3002<\/p>\n\n\n\n<p>\u6211\u7684\u4f5c\u54c1\u7684\u610f\u7fa9\uff0c\u4e0d\u5728\u65bc\u8b1b\u8ff0\u6545\u4e8b\uff0c\u800c\u5728\u65bc\u6211\u5982\u4f55\u5c07\u7e6a\u756b\u4e2d\u7684\u5143\u7d20\u7d50\u5408\u5728\u4e00\u8d77\u3002\u9019\u662f\u4e00\u7a2e\u9762\u5c0d\u73fe\u8c61\u7684\u614b\u5ea6\uff0c\u7531\u756b\u9762\u672c\u8eab\u6563\u767c\u51fa\u4f86\u3002\u5728\u6211\u7684\u5be6\u8e10\u4e2d\uff0c\u7121\u6578\u85dd\u8853\u53f2\u4e0a\u7684\u6280\u6cd5\u8207\u7e6a\u756b\u624b\u6cd5\u88ab\u532f\u805a\u5728\u4e00\u8d77\u2014\u2014\u90a3\u4e9b\u5728\u4e8c\u5341\u4e16\u7d00\u4ecd\u4e92\u76f8\u5c0d\u7acb\u3001\u6392\u65a5\u7684\u98a8\u683c\uff0c\u5982\u4eca\u5728\u6211\u7684\u4f5c\u54c1\u88e1\u4ee5\u5e73\u7b49\u7684\u59ff\u614b\u5171\u5b58\uff0c\u9054\u6210\u548c\u5e73\u7684\u4e26\u7f6e\u3002\u6211\u7684\u7e6a\u756b\u5c07\u6700\u7570\u8cea\u7684\u5143\u7d20\u7d71\u5408\u65bc\u4e00\u7a2e precarious balance \u2014\u2014\u4e00\u7a2e\u5c8c\u5c8c\u53ef\u5371\u537b\u53c8\u548c\u8ae7\u7684\u788e\u7247\u4e4b\u9593\u7684\u5e73\u8861\u3002<\/p>\n\n\n\n<p>\u81f3\u65bc\u756b\u9762\u4e2d\u53ef\u8fa8\u8b58\u7684\u6bcd\u984c\uff0c\u6211\u901a\u5e38\u53ea\u662f\u6697\u793a\uff0c\u800c\u975e\u5b8c\u5168\u63cf\u7e6a\u3002\u6211\u504f\u597d\u6697\u55bb\uff0c\u800c\u975e\u5177\u8c61\u7684\u6e05\u6670\u3002\u6211\u95dc\u6ce8\u7684\u662f\u5275\u9020\u6700\u5927\u7a0b\u5ea6\u7684\u53ef\u80fd\u6027\u3002\u56e0\u6b64\uff0c\u5728\u6211\u7684\u4f5c\u54c1\u4e2d\uff0c\u6211\u5011\u6216\u8a31\u4e00\u77ac\u9593\u6703\u770b\u5230\u4e00\u5ea7\u6709\u6a39\u7684\u5c71\uff0c\u800c\u4e0b\u4e00\u77ac\u9593\uff0c\u537b\u53c8\u53ef\u80fd\u5728\u540c\u4e00\u8655\u770b\u898b\u4e00\u5f35\u81c9\u7684\u4e00\u90e8\u5206\u2014\u2014\u6216\u8005\u50c5\u50c5\u662f\u4e00\u7a2e\u4ee4\u4eba\u8457\u8ff7\u7684\u8272\u5f69\u6392\u5217\uff0c\u6c92\u6709\u4efb\u4f55\u518d\u73fe\u6027\u7684\u6307\u6d89\u3002<\/p>\n\n\n\n<p>\u5728\u7e6a\u756b\u904e\u7a0b\u4e2d\uff0c\u6709\u6642\u984f\u6599\u6703\u5728\u8868\u9762\u8b8a\u5f97\u904e\u65bc\u539a\u91cd\uff0c\u5c0e\u81f4\u4f5c\u54c1\u7121\u6cd5\u547c\u5438\u3002\u9019\u6642\uff0c\u6211\u6703\u91cd\u65b0\u6253\u958b\u5c64\u6b21\uff0c\u7528\u62b9\u53bb\u6216\u7802\u78e8\u6a5f\u8b93\u4f5c\u54c1\u518d\u6b21\u547c\u5438\u3002\u9019\u4e5f\u8b93\u6211\u56de\u5230\u4f5c\u54c1\u7684\u6642\u9593\u5c64\u9762\uff0c\u56e0\u70ba\u6bcf\u4e00\u5c64\u90fd\u4ee3\u8868\u67d0\u4e00\u6bb5\u4eba\u751f\u6642\u671f\u3002\u5982\u6b64\u4e00\u4f86\uff0c\u6211\u4fbf\u6210\u70ba\u81ea\u8eab\u7684\u8003\u53e4\u5b78\u5bb6\u3002<\/p>\n\n\n\n<p>\u4f5c\u54c1\u7684\u5f37\u70c8\u8eab\u9ad4\u611f\u5c0d\u6211\u81f3\u95dc\u91cd\u8981\u3002\u6211\u7684\u7e6a\u756b\u5c31\u50cf\u4e00\u500b\u6709\u76ae\u819a\u7684\u8eab\u9ad4\u2014\u2014\u65e2\u6709\u88c2\u75d5\uff0c\u4e5f\u6709\u5149\u6ed1\uff0c\u540c\u6642\u5e36\u8457\u5275\u4f5c\u8207\u751f\u6d3b\u904e\u7a0b\u4e2d\u7684\u50b7\u75d5\u3002\u5b83\u5011\u6240\u8868\u9054\u7684\u4e0d\u904e\u5c31\u662f\u751f\u547d\u672c\u8eab\u3002\u6211\u5728\u5275\u4f5c\u4e2d\u6240\u8ffd\u96a8\u7684\uff0c\u6b63\u662f\u4e8b\u7269\u672c\u8eab\u7684\u9032\u7a0b\u3002\u585e\u5c1a\u66fe\u8aaa\uff0c\u4ed6\u7684\u7e6a\u756b\u662f\u8207\u81ea\u7136\u5e73\u884c\u7684\u3002\u800c\u6211\u8aaa\uff1a\u7576\u6211\u4f5c\u756b\u6642\uff0c\u6211\u6210\u70ba\u81ea\u7136\u7684\u4e00\u5c0f\u90e8\u5206\uff1b\u6211\u6210\u70ba\u4e8b\u7269\u9032\u7a0b\u7684\u4e00\u90e8\u5206\u3002\u66f4\u78ba\u5207\u5730\u8aaa\uff1a\u6211\u5df2\u4e0d\u518d\u662f\u4e3b\u9ad4\u2014\u2014\u6211\u7684\u81ea\u6211\u88ab\u66ab\u6642\u64f1\u7f6e\u3002\u6211\u767c\u73fe\u81ea\u5df1\u8655\u65bc\u4e00\u7a2e\u6975\u70ba\u6e05\u660e\u7684\u51fa\u795e\u72c0\u614b\uff0c\u5728\u5176\u4e2d\u300c\u70ba\u800c\u4e0d\u70ba\u300d\u3002\u5c0d\u6211\u5011\u4e2d\u6b50\u4eba\u800c\u8a00\uff0c\u9019\u4e26\u4e0d\u5bb9\u6613\uff0c\u56e0\u70ba\u6211\u5011\u7e3d\u662f\u60f3\u8981\u63a7\u5236\u3002\u5c0d\u6211\u4f86\u8aaa\uff0c\u9054\u5230\u9019\u6a23\u7684\u72c0\u614b\u662f\u4e00\u6bb5\u6f2b\u9577\u7684\u65c5\u7a0b\u3002<\/p>\n\n\n\n<p>\u4e8b\u5be6\u4e0a\uff0c\u6b63\u662f\u7e6a\u756b\u672c\u8eab\u6307\u5f15\u4e86\u6211\u3002\u4e0d\u662f\u7406\u8ad6\u6216\u54f2\u5b78\uff0c\u800c\u662f\u7e6a\u756b\u672c\u8eab\uff0c\u5f15\u9818\u6211\u8d70\u5411\u7cbe\u795e\u7684\u958b\u653e\u3002<\/p>\n\n\n\n<p><strong>CV<\/strong><\/p>\n\n\n\n<p>STUDIEN<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1982 \u2013 1987 Studium Freie Kunst, Hochschule f\u00fcr Bildende K\u00fcnste, Hamburg, bei<\/li>\n\n\n\n<li>Franz Erhard Walther<\/li>\n\n\n\n<li>1977 \u2013 1985 Studium der Philosophie und Kunstgeschichte, Universit\u00e4t Hamburg, M. A. phil.<\/li>\n<\/ul>\n\n\n\n<p>STIPENDIEN<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2021 Stipendium Stiftung Kulturwerk<\/li>\n\n\n\n<li>2020 Stipendium Stiftung Kunstfonds, Bonn, Neustart Kultur<\/li>\n\n\n\n<li>1989 Stipendium des DAAD, Chelsea School of Art, London, UK<\/li>\n\n\n\n<li>1988 Stipendium des Kunstfonds e.V. Bonn, DE<\/li>\n\n\n\n<li>1987 Arbeitssstipendium der Freien und Hansestadt Hamburg, DE<\/li>\n<\/ul>\n\n\n\n<p>MEDIENARBEIT<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1998 \u2013 2008 W\u00f6chentliche literarisch-k\u00fcnstlerische Kolumne in der Radiosendung \u201eOcean Club Radio\u201c auf Radio Eins, RBB<\/li>\n\n\n\n<li>1994 \u2013 1998 Mitherausgeber der \u201eNummer\u201c, Zeitschrift f\u00fcr Kunst, Literatur und Theorie, K\u00f6ln, DE<\/li>\n\n\n\n<li>1985 \u2013 2002 Redaktionelle Radiobeitr\u00e4ge \u00fcber Kunst f\u00fcr den NDR Hamburg und RBB, Berlin\/ Potsdam, DE \u2028<\/li>\n<\/ul>\n\n\n\n<p>EINZELAUSSTELLUNGEN (Auswahl)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2022 Wolfgang Betke. und pl\u00f6tzlich: Der s\u00fc\u00dfe k\u00fchle Duft von Morgenwald, Setareh, D\u00fcsseldorf, DE<\/li>\n\n\n\n<li>2020 Wolfgang Betke. Instagram Take Over of jungemeister_innen, Berlin, DE<\/li>\n\n\n\n<li>2020 Wolfgang Betke. Apparition in the silent woods of Sch\u00fcller, Sch\u00fcller, DE<\/li>\n\n\n\n<li>2018 Wolfgang Betke. Schweigezone, Setareh Gallery, D\u00fcsseldorf, DE<\/li>\n\n\n\n<li>2016 Wolfgang Betke. Zeugen des Zustandes, Aurel Scheibler, Berlin, DE<\/li>\n\n\n\n<li>Wolfgang Betke. So ist die Lage, Setareh Gallery, D\u00fcsseldorf, DE\u20282015<\/li>\n\n\n\n<li>Wolfgang Betke. Eine Verschwindung, eine Ankommung und Irgendwas Dazwischen,<\/li>\n\n\n\n<li>Nicole Gnesa, M\u00fcnchen, DE\u2028<\/li>\n\n\n\n<li>2014 Wolfgang Betke. se faire voyant, Brandenburgischer Kunstverein Potsdam e.V., DE\u2028<\/li>\n\n\n\n<li>2013 Wolfgang Betke. Der Glanz der stummen Sprache, Nicole Gnesa, M\u00fcnchen, DE<\/li>\n\n\n\n<li>Wolfgang Betke. OBERFL\u00c4CHENTIEFGANG, Aurel Scheibler, Berlin, DE<\/li>\n\n\n\n<li>2012 Wolfgang Betke. Yet to be titled, Galerie Charlotte Moser, Genf, CH<\/li>\n\n\n\n<li>Wolfgang Betke. \u201e\u2026mit an Abstraktheit grenzender Unsch\u00e4rfe der Zustand des Menschen jetzt.\u201c, St\u00e4dtische Galerie Waldkraiburg, DE\u2028<\/li>\n\n\n\n<li>2011 Wolfgang Betke. One good painting with ten holes is better than ten bad paintings without holes, Galerie Opdahl, Stavanger, NO\u2028<\/li>\n\n\n\n<li>2010 Wolfgang Betke. Ich w\u00e4r so gern Dein Schmuckeremit!, Aurel Scheibler \/ ScheiblerMitte, Berlin, DE<\/li>\n\n\n\n<li>Wolfgang Betke. Aurel Scheibler @ JH Architecture, London, UK<\/li>\n\n\n\n<li>Wolfgang Betke. Armory Show New York, Aurel Scheibler (Solopr\u00e4sentation), US\u2028<\/li>\n\n\n\n<li>2009 Wolfgang Betke. fern von treibjagd und position, flie\u00dfend unter den dingen, mit,<\/li>\n\n\n\n<li>Galerie Thomas Flor, D\u00fcsseldorf, DE\u2028<\/li>\n\n\n\n<li>2007 Wolfgang Betke. Non zyni Ut opium, Galerie Thomas Flor, D\u00fcsseldorf, DE\u2028<\/li>\n\n\n\n<li>2005 Wolfgang Betke. deren bart um den tisch herum w\u00e4chst und w\u00e4chst, dreimal, siebenmal, neunmal, Manoir de Cologny, Genf, CH\u2028<\/li>\n\n\n\n<li>1994 \u201eEine handgemalte Tapete\u201c, Galerie Transit, Leuven<\/li>\n\n\n\n<li>1998 Wolfgang Betke. Arbeiten am Intimbereich III, Galerie Lukas &amp; Hoffmann, K\u00f6ln, DE\u2028<\/li>\n\n\n\n<li>1997 \u201eArbeiten am Intimbereich II\u201c, ein Abend mit Pole aka Stefan Betke, Galerie Hammelehle &amp; Ahrens, Stuttgart, DE \u2028<\/li>\n\n\n\n<li>1997 Arbeiten am Intimbereich I, K\u00fcnstlerhaus Stuttgart, DE (Kurator: Nikolaus Schafhausen)<\/li>\n\n\n\n<li>Wolfgang Betke. Arbeiten am Intimbereich II, mit Pole aka Stefan Betke, Galerie Hammelehle &amp; Ahrens, Stuttgart, DE<\/li>\n\n\n\n<li>1990 Wolfgang Betke. Galerie Luis Campana, Frankfurt\/Main, DE<\/li>\n\n\n\n<li>1989 Westwerk, Hamburg, DE<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>GRUPPENAUSSTELLUNGEN (Auswahl)<\/li>\n\n\n\n<li>2022 The Fiction of Property II, Kienzle Art Foundation, Berlin, DE<\/li>\n\n\n\n<li>2020 ambig, curated by Michael Lukas, Galerie der K\u00fcnstler, Munic, DE<\/li>\n\n\n\n<li>2019 NOTEBOOK, 56 Henry, New York City, USA, Gruppenausstellung kuratiert von<\/li>\n\n\n\n<li>Joanne Greenbaum<\/li>\n\n\n\n<li>2019 Au rendez-vous des amis, Aurel Scheibler, Berlin, DE<\/li>\n\n\n\n<li>2017 Wolfgang Betke and Gregor Gleiwitz. Beyond the Fringe, Setareh Gallery, D\u00fcsseldorf, DE<\/li>\n\n\n\n<li>IN DEN TIEFEN DER OBERFL\u00c4CHE, Kunstverein KISS, Kunst im Schlo\u00df Untergr\u00f6nigen e.V., DE, kuratiert von Ulrike Buhl<\/li>\n\n\n\n<li>2016 HOW TO BE UNIQUE \u2013 Sammlung Kienzle, Kienzle Art Foundation, Berlin, DE<\/li>\n\n\n\n<li>2015 THERE IS NEVER A STOP AND NEVER A FINISH, Kreuzberg Pavillon, Berlin, DE<\/li>\n\n\n\n<li>The Black and White Key, Schaufenster, Raum f\u00fcr Kunst, Berlin, DE<\/li>\n\n\n\n<li>l\u2018oiseau pr\u00e9sente\u2026be abstract, Ballhaus Ost, Berlin, DE\u2028<\/li>\n\n\n\n<li>Summertime, Aurel Scheibler, Berlin<\/li>\n\n\n\n<li>l\u2018oiseau pr\u00e9sente\u2026be abstract, Kunstverein Schw\u00e4bisch Hall, DE<\/li>\n\n\n\n<li>Flowers and other abstractions, Markhof 2, Wien, AT, kuratiert von Florin Kompatscher<\/li>\n\n\n\n<li>2014 Der Kubist Marcel Duchamp mag nicht malen, Galerie Thomas Schulte, Berlin, DE, kuratiert von Michael M\u00fcller<\/li>\n\n\n\n<li>\u201eThe Cross Shown\u201c, Nuova Galleria Morone, Mailand, Italien<\/li>\n\n\n\n<li>on the same side of the water, Kunstquartier Bethanien, Berlin, DE, kuratiert von Michaela Zimmer\u2028<\/li>\n\n\n\n<li>\u201eAbout Edith\u201c, Ballhaus Ost, Berlin<\/li>\n\n\n\n<li>SOLOS III, OZEAN, Berlin, DE\u2028<\/li>\n\n\n\n<li>l\u2018oiseau pr\u00e9sente\u2026 Der Garten der Pfade, die sich verzweigen. II, Ballhaus Ost, Berlin, DE<\/li>\n\n\n\n<li>2013 Painting Forever! Keilrahmen, Kunst-Werke Berlin, DE<\/li>\n\n\n\n<li>Ikarier, Galerie Mikael Andersen, Berlin, DE<\/li>\n\n\n\n<li>\u201eT\u00f6nung\u201c, kuratiert kuratiert von Dominik Halmer und Ria Patricia R\u00f6der,<\/li>\n\n\n\n<li>Kreuzberg Pavillon, Berlin<\/li>\n\n\n\n<li>schwarzweiss-vier, kuratiert von Max Schulze und Katrin Menne, K\u00f6lnischer Kunstverein<\/li>\n\n\n\n<li>2012 Alternative Entrance, kunstbunker \u2013 forum f\u00fcr zeitgen\u00f6ssische kunst, N\u00fcrnberg, DE<\/li>\n\n\n\n<li>2011 Menschenbilder- Ausgew\u00e4hlte Werke aus der Sammlung zeitgen\u00f6ssischer Kunst der<\/li>\n\n\n\n<li>Bundesrepublik Deutschland, Gro\u00dfe Kunstschau Worpswede, DE<\/li>\n\n\n\n<li>Der dritte Raum, Kunsthalle D\u00fcsseldorf, DE, Museum f\u00fcr Moderne Kunst, Warschau, PL<\/li>\n\n\n\n<li>2010 \u201eWenn die Nacht am tiefsten ist, ist der Tag am n\u00e4chsten\u201c, kuratiert von Birte Kleemann und Gabriel Vormstein, Stern Pissarro Gallery, London, UK<\/li>\n\n\n\n<li>\u201eWho They, What Do And Why\u2026 \u201c, Ausstellung gemeinsam mit Andreas Fischer, Katlen Hewel, Constantin Wallh\u00e4user, Kunstverein Koelnberg, K\u00f6ln\u2028<\/li>\n\n\n\n<li>2009 Flugversuch mit Spurenkammer, Galerie Kienzle &amp; Gmeiner, Berlin, DE (Kuratoren: Gabi und Wilhelm Sch\u00fcrmann)\u2028<\/li>\n\n\n\n<li>2008 Art is not mute, Erste Konsthall, G\u00f6teborg, SE<\/li>\n\n\n\n<li>\u201eUnbehaust\u201c, after the butcher, Ausstellungsraum f\u00fcr zeitgen\u00f6ssische Kunst , Berlin, mit Andreas Fischer, Knut Kla\u00dfen, Britta Lumer, Isa Melsheimer<\/li>\n\n\n\n<li>2007 \u201eSchwarzweiss 2\u201c, Ausstellung zur Magazinpr\u00e4sentation von Katrin Menne und Max Schulze, Parkhaus am Malkasten, D\u00fcsseldorf<\/li>\n\n\n\n<li>2006 \u201eGl\u00fcck Auf\u201c, K\u00fcnstlerbibliothek mit Lieblingsb\u00fcchern, Schickeria, Berlin<\/li>\n\n\n\n<li>\u201ebetonwurst und andere teamgeister\u201c, after the butcher, Raum f\u00fcr zeitgen\u00f6ssische Kunst, Berlin<\/li>\n\n\n\n<li>2004 subversiv, sexy und stilvoll, malerei heute, Stadtmuseum Jena, DE<\/li>\n\n\n\n<li>Mann und Frau intim, Kunsthaus Erfurt, DE<\/li>\n\n\n\n<li>2002 ICI Berlin!: Maler aus Berlin in Genf, Galerie Charlotte Moser, Genf, CH<\/li>\n\n\n\n<li>1995 \u201eDe Gemartelde Tijd\u201c, Zu dem Bild \u201eDas Martyrium des Hl. Erasmus\u201c<\/li>\n\n\n\n<li>Romaanse Poort, Leuven\/ Belgien<\/li>\n\n\n\n<li>1994 \u201eFussball-Karaoke\u201c, kuratiert von Georg Herold, Porticus, Frankfurt\/Main<\/li>\n\n\n\n<li>\u201ePapier, Beeld, Basis\u201c, Stedelijk Museum Aalst\/ Belgien<\/li>\n\n\n\n<li>1992 XXX, K\u00f6nigliches Palais, Antwerpen\/ Belgien<\/li>\n\n\n\n<li>1992 Berlin, da fahr ich hin, Galerie Lukas &amp; Hoffmann, Berlin, DE<\/li>\n<\/ul>\n\n\n\n<p>PERFORMANCES und Lesungen (Auswahl)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>2016 Die wundersamen Erlebnisse der Herren Justerini &amp; Brook, Lesung, Setareh Gallery, D\u00fcsseldorf, DE<\/li>\n\n\n\n<li>2013 Archimedes, Performance, Kunst-Werke Berlin<\/li>\n\n\n\n<li>Reenactment des Vortrages von Willy Baumeister \u201eDas Kreative geht dem Unbekannten k\u00fchn entgegen\u201c, Aurel Scheibler, Berlin<\/li>\n\n\n\n<li>2012 Archimedes, Performance, St\u00e4dtische Galerie Waldkraiburg, DE\u20282010<\/li>\n\n\n\n<li>Trend Mensch, Poetry Performance mit u.a. Gerhard R\u00fchm, Kunstklub, Stuttgart, DE<\/li>\n\n\n\n<li>2009 Garden Songs, Musik \u00fcber einen Text von Wolfgang Betke f\u00fcr Fl\u00f6te, E-Gitarre und<\/li>\n\n\n\n<li>Schlagzeug. Komposition: Marc Sabat im Auftrag des Saarl\u00e4ndischen Rundfunk\u2018s, Katalogver\u00f6ffentlichung mit Synchronperformance mit M.G. Schmid, Bar Kottbusser Damm 9, Berlin, DE<\/li>\n\n\n\n<li>2007\/09 DER ROTE SOHN UND DIE WEISSE FRAU, Galerie Kienzle &amp; Gmeiner, Berlin, DE;<\/li>\n\n\n\n<li>Galerie Ben Kaufmann, Berlin; Galerie duvekleemann, Berlin, Sprechst\u00fcck, DE<\/li>\n\n\n\n<li>2008 Institut f\u00fcr moderne Kunst N\u00fcrnberg, Lesung, UM 08, Festival of Music, Art and Literature, Sternhagen Gut<\/li>\n\n\n\n<li>Lesung 500 Jahre Ocean Club, Livesendung f\u00fcr Radio Eins, RBB aus dem Berghain, Berlin, DE<\/li>\n<\/ul>\n\n\n\n<p>BIBLIOGRAPHIE (Auswahl)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>MEHR BERLIN, 1 Seite Wolfgang Betke im Tagesspiegel, Berlin, Kuratiert von Christiane Meixner, 13.6.2020<\/li>\n\n\n\n<li>Wolfgang Betke. Schweigezone, Setareh Gallery, (Ausst.kat.), D\u00fcsseldorf 2018<\/li>\n\n\n\n<li>Prince, Mark: Wolfgang Betke. Brandenburgischer Kunstverein Potsdam, in: frieze magazine, Ausga-be 16, London\/New York\/Berlin 2014, S. 143<\/li>\n\n\n\n<li>Scheibler, Aurel: Wolfgang Betke, in: Artforum International Magazine, November Ausgabe, New York 2013, S. 303<\/li>\n\n\n\n<li>Nedo, Kito\/Keiper, Elke: Wolfgang Betke. \u201e\u2026mit an Abstraktheit grenzender Unsch\u00e4rft der Zustand des Menschen jetzt\u201c, hg. von Elke Keiper, St\u00e4dtische Galerie Waldkraiburg, (Ausst.kat.), Waldkraiburg 2012<\/li>\n\n\n\n<li>Betke, Wolfgang: Versuchsanordnungen und Flugversuche jeglicher Art, Galerie Thomas Flor, (Ausst. kat.), D\u00fcsseldorf 2009<\/li>\n\n\n\n<li>Pech, Martin: Wolfgang Betke, \u00fcbersetzt von Michael Robinson, in: frieze magazine, Ausgabe 34, London\/New York\/Berlin 1997<\/li>\n\n\n\n<li>\u00d6ffentlich oder privat? Gregor Schwerin \u00fcber Wolfgang Betke in der Galerie Lukas &amp; Hoffmann in K\u00f6ln, in: Texte zur Kunst, Ausgabe 26, Berlin 1997, S. 176<\/li>\n\n\n\n<li>Vogel, Sabine B.: Wolfgang Bethke (sic!), in: Artforum International Magazine, September Ausgabe, New York 1990<\/li>\n\n\n\n<li>DAAD- Scholarship holders in London 1988\/89: Thomas Bernstein, Wolfgang Betke, Markus Eisen- mann, (u.a.), Goethe-Institute London and The German Academic Exchange in London, (Ausst.kat.), London 1989<\/li>\n\n\n\n<li>Behm, Harald (u.a.): 8. Hamburger Arbeitsstipendium f\u00fcr bildende Kunst 1988: J\u00fcrgen Albrecht, Wolfgang Betke, Holger Benthien, Jaakov Blumas, Heiner Blumenthal, Andreas Coerper, Martin Conrad, Martina Ebel, Joachim Flinzer, Infant Zoyt, Kunsthalle Hamburg, (Ausst.kat.), Hamburg 1989<\/li>\n\n\n\n<li>Wolfgang Betke, hg. von XPO Galerie, (Ausst.kat.), Hamburg 1988<\/li>\n<\/ul>\n<\/div><button class=\"wp-block-cloudcatch-light-modal-block__close\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"14\" viewBox=\"0 0 24 24\" aria-hidden=\"true\"><path d=\"M24 1.2 22.8 0 12 10.8 1.2 0 0 1.2 10.8 12 0 22.8 1.2 24 12 13.2 22.8 24l1.2-1.2L13.2 12 24 1.2z\"><\/path><\/svg><\/button><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Wolfgang Betke\uff08\u6c83\u723e\u592b\u5ca1\u30fb\u8c9d\u7279\u514b\uff0c1958 \u5e74\u751f\u65bc\u5fb7\u570b\u675c\u585e\u723e\u591a\u592b\uff09\u662f\u7576\u4ee3\u5fb7\u570b\u91cd\u8981\u85dd\u8853\u5bb6\u4e4b\u4e00\u3002\u4ed6\u7684\u5275\u4f5c\u8de8\u8d8a\u7e6a\u756b\u3001\u96d5\u5851\u8207\u88dd\u7f6e\uff0c\u6838\u5fc3\u6982\u5ff5\u70ba\u300c\u8eab\u9ad4\u81ea\u52d5\u6027\u300d\uff08Body Automatism\uff09\uff0c\u5ef6\u7e8c\u81ea\u8d85\u73fe\u5be6\u4e3b\u7fa9\u7684\u7cbe\u795e\uff0c\u900f\u904e\u81ea\u7531\u76f4\u89ba\u8207\u591a\u5c64\u6b21\u7684\u5a92\u6750\u64cd\u4f5c\uff0c\u5c07\u751f\u547d\u7d93\u9a57\u51dd\u805a\u65bc\u756b\u5e03\u4e4b\u4e0a\u3002<\/p>\n","protected":false},"author":1,"featured_media":11529,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-11637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/ginhuanggallery.com\/wp-content\/uploads\/2025\/09\/Wolfgang-Betke-At-least-two-characters-2025-ink-acrylic-oil-on-folded-aluminium-141-x-120-x-4-cm-EUR-26.100_0-scaled.jpg?fit=2164%2C2560&quality=100&ct=20250818&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/posts\/11637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/comments?post=11637"}],"version-history":[{"count":20,"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/posts\/11637\/revisions"}],"predecessor-version":[{"id":11902,"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/posts\/11637\/revisions\/11902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/media\/11529"}],"wp:attachment":[{"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/media?parent=11637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/categories?post=11637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ginhuanggallery.com\/zh-hant\/wp-json\/wp\/v2\/tags?post=11637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}